Rembrandt van Rijn

Even in his first paintings, Rembrandt positioned himself in the scene. In the following years, at least 100 times he used his face as the only subject in engravings, drawings, and paintings. Such single-mindedness, unique in the history of art, was very widely interpreted. This program explores his...

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Bibliographic Details
Corporate Authors: ARTE France, Films for the Humanities & Sciences (Firm), Films Media Group
Format: Electronic Video
Language:English
Published: New York, N.Y. : Films Media Group, [2013]
Series:Palettes (Films for the Humanities (Firm))
Subjects:
Online Access: Streaming video (Wentworth users only)