Mixing Music. by Hepworth-Sawyer, Russ

Table of Contents: “…10 Mixing In/and Modern Electronic Music Production11 Groove and the Grid: Mixing Contemporary Hip Hop; 12 The Mix Is. …”
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Postphenomenology : a critical companion to Ihde / edited by Evan Selinger.

Table of Contents: “…Simple grounds : at home in experience / Vivian Sobchack -- From phenomenology to pragmatism : using technology as an instrument / Carl Mitcham -- The primacy of listening : toward a metaphysics of communicative interaction / Lenore Langsdorf -- Voices in the electronic music synthesizer : an essay in honor of Don Ihde / Trevor Pinch -- Visualizing the musical object / Judy Lochhead -- Normative phenomenology : reflections on Ihde's significant nudging / Evan Selinger -- Ihde and technological ethics / Paul B. …”
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Critical approaches to the production of music and sound / [edited by] Samantha Bennett and Eliot Bates.

Table of Contents: “…Producing tv sries music in Istanbul / Eliot Bates -- Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian Indigenous music / Karl Neuenfeldt -- III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet -- Technologies of play in hip-hop and electronic dance music production and performance / Mike D'Errico -- IV. …”
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Producing music / edited by Russ Hepworth-Sawyer, Jay Hodgson, and Mark Marrington.

Table of Contents: “…Re-thinking the audio-object in the context of DAW-based electronic music production practice / Stace Constantinou ; The use of non-linear sonic signatures in music production / Austin Moore ; Russ HS interview with Brakespear/round-table ; Towards a typology of collaborative practice in music production / Robert Wilsmore ; Narrative and the art of record production / Alex Harden -- The context of production. …”
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Music in the AI Era 15th International Symposium, CMMR 2021, Virtual Event, November 15–19, 2021, Revised Selected Papers / edited by Mitsuko Aramaki, Keiji Hirata, Tetsuro Kitahar...

Table of Contents: “…Music technology in the IA era -- KANSEI Informatics and Music Technology in AI Era -- On Parallelism in Music and Language: A Perspective from Symbol Emergence Systems based on Probabilistic Generative Models -- WaVAEtable Synthesis -- Deep Learning-based Music Instrument Recognition: Exploring Learned Feature Representations -- Time-span Tree Leveled by Duration of Time-span -- Evaluating AI as an Assisting Tool to Create Electronic Dance Music -- Interactive systems for music -- Suiview: A Web-based Application that Enables Users to Practice Wind Instrument Performance -- Continuous Parameter Control Using an On/Off Sensor in the Augmented Handheld Triangle -- Networked and Collaborative Musical Play Amongst Humans and Virtual Biological Agents in Locus Diffuse -- Towards an Aesthetic of Hybrid Performance Practice -- Development of Audio Descriptors Inspired by Schaefferian Criteria: a Set of Tools for Interactive Exploration of Percussive Sounds -- A Polytemporal Model for Musical Scheduling -- Interaction Strategies in Composition for Karlax and Acoustic Instruments -- Music Information Retrieval and Modeling -- Modelling Moral Traits with Music Listening Preferences and Demographics -- Classification of 1950 to 1960 Electronic Music Using the VGGish Neural Network and Random Forest -- Knowledge Transfer from Neural Networks for Speech Music Classification -- Predominant Instrument Recognition in Polyphonic Music Using Convolutional Recurrent Neural Networks -- The Matrix Profile for Motif Discovery in Audio - An Example Application in Carnatic Music -- A Rule-based Method for Implementing Implication-Realization Model -- Music and Performance Analysis -- CROCUS: Dataset of Critique Documents of Musical Performance -- A Psychoacoustic-Based Methodology for Sound Mass Music Analysis -- Musical Structure Analysis and Generation through Abstraction Trees -- Analysis of Musical Dynamics in Vocal Performances -- With Love: Electroacoustic, Audiovisual, and Telematic Music.…”
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The Collected Essays of Milton Babbitt. by Babbitt, Milton, 1916-2011

Table of Contents: “…Cover; Title; Copyright; Contents; Acknowledgments; Preface; The String Quartets of Bartók (1949); Review of Leibowitz, Schoenberg et son école (1950); Review of Le Système Dodécaphonique (1950); Review of Salzer, Structural Hearing (1952); Tintinnabulation of the Crochets (Review of Halsey Stevens, The Life and Music of Bartók) (1953); Musical America's Several Generations (1954); Some Aspects of Twelve-Tone Composition (1955); The Composer as Specialist (1958); Twelve-Tone Invariants as Compositional Determinants (1960); The Revolution in Sound: Electronic Music (1960).…”
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Yōgaku : Japanese music in the twentieth century / Luciana Galliano ; translated by Martin Mayes. by Galliano, Luciana, 1953-

Table of Contents: “…Jikkenkōbō; 6.2. Electronic Music; 6.3. The Twentieth-Century Music Laboratory; 6.4. …”
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Harmony for Computer Musicians Hewitt, Michael. by Hewitt, Michael

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Music Technology in Therapeutic and Health Settings. by Magee, Wendy

Table of Contents: “…Chapter 5 Music Technology in the Neonatal Intensive Care UnitChapter 6 Innovations in Medical Music Therapy: The Use of Electronic Music Technologies in a Pediatric Burn Hospital; Chapter 7 Access to Music Making Through Switch and Voice Output Technology for Young People with Multiple and Complex Needs in a School Setting ; Chapter 8 Using Music Technology with Children and Adolescents with Visual Impairments and Additional Disabilities; Chapter 9 Engaging iPad Applications with Young People with Autism Spectrum Disorders.…”
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Music Theory for Computer Musicians Hewitt, Michael. by Hewitt, Michael

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A cultural history of the avant-garde in the Nordic countries, 1950-1975 / edited by Tania Ørum, Jesper Olsson ; editorial panel, Birgitte Anderberg, Andreas Engström, Benedikt Hja...

Table of Contents: “…-- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology -- The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds -- Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio -- Founding and Early Development -- The New Monument -- Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots -- "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music -- On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" -- Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance -- Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games -- The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964.…”
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Solutions on Embedded Systems edited by Massimo Conti, Simone Orcioni, Natividad Martínez Madrid, Ralf E.D. Seepold. by Conti, Massimo

Table of Contents: “…Network on Chip and Multicore Systems -- Chapter 6 Cost-based Deflection Routing for Intelligent NoC Switches; M.Radetzki and A.Kohler -- Chapter 7 NOCEXplore; S.Gigli and M.Conti -- Chapter 8 Coverage-driven Verification of HDL IP cores; S.Saponara, et al -- Chapter 9 A Multiprocessor Platform for Efficient Data Processing in Electronic Musical Instruments; M.Caldari, F.Ripa and M.Conti -- Chapter 10 A Distributed Hardware Algorithm for Scheduling Dependent Tasks on Multicore Architectures; L.Di Gregorio -- Part III.  …”
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Fractured Scenes Underground Music-Making in Hong Kong and East Asia / edited by Damien Charrieras, François Mouillot.

Table of Contents: “…In Crevices, Stairwells, and Ever-Changing Tides: A Personal Reflection on Holding Up a Walking and Listening Body; Yang Yeung -- Part Two, Take 3: Individual Case Studies in Indie-Rock/ Indie-Pop and Electronic Music -- 11. From Indie to Underground: The Hong Kong DIY Rock Scene in the Post-Hidden Agenda Era; Ahkok Chun-kwok Wong -- 12. …”
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Guide to Unconventional Computing for Music edited by Eduardo Reck Miranda.

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Kaija Saariaho.

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Sisters with Transistors.

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Understanding Subtractive Synthesis Alexander, David. by Alexander, David

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Decks and the City / Filmhub.

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Writing and unwriting (media) art history : Erkki Kurenniemi in 2048 / edited by Joasia Krysa and Jussi Parikka.

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Music Engineering, 2nd Edition Brice, Richard. by Brice, Richard

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