Showing 1 - 6 results of 6 for search '"Aki Kaurismäki"', query time: 0.06s Refine Results
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    Teaching Sound Film A Reader / by R. J. Cardullo. by Cardullo, R. J.

    Published 2016
    Table of Contents: “…Operatic Acting in Pasolini’s Mamma Roma -- Trainspotting: Jiří Menzel’s Closely Watched Trains -- Thought, Feeling, and the Cinema of Francis Ford Coppola: The Rain People as Exemplum -- The Fall of Béatrice, the Salvation of Pomme: Simultaneity and Stillness in Goretta’s The Lacemaker -- Wooden Allen, or Made in Manhattan -- Memories Are Made of This: Rainer Werner Fassbinder’s Veronika Voss -- Case Reopened: Mrinal Sen’s The Case Is Closed -- Epiphanies: Nanni Moretti’s The Mass Is Ended -- Comedies Are Proverbial: Eric Rohmer’s Boyfriends and Girlfriends -- Finnish Character: Aki Kaurismäki’s Ariel -- Law of the Jungle: Idrissa Ouédraogo’s Tilaï -- María Novaro’s Danzón in Light of the Cinema of Pedro Almodóvar -- Work, Family, and Politics: Ken Loach’s Riff-Raff -- The Uses of History: Chen Kaige’s Farewell, My Concubine -- The Prison-House of Sexuality: Tomás Gutiérrez Alea’s Strawberry and Chocolate -- Lower Depths, Higher Planes: The Dardennes’ La Promesse -- Wind and Dust: Abbas Kiarostami’s The Wind Will Carry Us -- Of Human Bondage and Male Indulgence: Amos Gitai’s Kadosh -- Latino Art through European Eyes, or against the American Evil Eye: Barbet Schroeder’s Our Lady of the Assassins -- All about My, Your, Their Mother: Andrucha Waddington’s Me, You, Them -- The Space of Time, the Sound of Silence: Tsai Ming-Liang’s What Time Is It There? …”
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    Fifty contemporary film directors / edited by Yvonne Tasker.

    Published 2010
    Table of Contents: “…Pedro Almodóvar -- Wes Anderson -- Aoyama Shinji -- Gregg Araki -- Luc Besson -- Kathryn Bigelow -- Charles Burnett -- Tim Burton -- James Cameron -- Jane Campion -- Gurinder Chadha -- Jackie Chan -- The Coen brothers -- Sofia Coppola -- David Cronenberg -- Julie Dash -- Guillermo del Toro -- Atom Egoyan -- David Fincher -- Hal Hartley -- Todd Haynes -- Peter Jackson -- Jim Jarmusch -- Neil Jordan -- Aki Kaurismäki -- Abbas Kiarostami -- Ang Lee -- Spike Lee -- David Lynch -- Michael Mann -- Shane Meadows -- Hayao Miyazaki -- Michael Moore -- Mira Nair -- François Ozon -- Park Chan-Wook -- Sally Potter -- John Sayles -- Martin Scorsese -- Steven Soderbergh -- Todd Solondz -- Steven Spielberg -- Oliver Stone -- Quentin Tarantino -- Lars Von Trier -- Gus Van Sant -- Wong Kar-wai -- John Woo -- Zhang Yimou -- Zhang Yuan.…”
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    Frontiers of screen history : imagining European borders in cinema, 1945-2010 / edited by Raita Merivirta, Kimmo Ahonen, Heta Mulari, Rami Mähkä.

    Published 2013
    Table of Contents: “…Chapter 5: Crossing Over: On Becoming European in Aki Kaurismäki's CinemaChapter 6: Looking for Alternative London: The London Nobody Knows and the Pop-Geographical Borders of the City; Chapter 7: The Cité's Architectural, Linguistic and Cinematic Frontiers in L'Esquive; Borders Crossed, Borders Within; Chapter 8: Between Hamburg and Istanbul: Mobility, Borders and Identity in the Films of Fatih Akin; Chapter 9: Transnational Heroines: Swedish Youth Film and Immigrant Girlhood; Chapter 10: Family as Internal Border in Dogtooth; Post-Colonial Borders and Cultural Frontiers.…”
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    Twenty-one landmark European films, 1939-1999 / Bert Cardullo. by Cardullo, Bert

    Published 2015
    Table of Contents: “…; Bibliography and Works Cited; 17. Aki Kaurismäki's The Match Factory Girl.…”
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    Small-screen Shakespeare / by Peter Cochran. by Cochran, Peter, 1944-

    Published 2013
    Table of Contents: “…(ronald smedley, 1973); a midsummer night's sex comedy (woody allen, 1982); tempest (paulmazursky, 1982); ran (akira kurosawa, 1985); hamlet goes business (aki kaurismaki, 1987); the godfather part iii (francis ford coppola, 1990); men of respect (william c. reilly, 1990); prospero's books (peter greenaway, 1991); my own private idaho (gus van sant, 1991); a thousand acres (jocelyn moorhouse, 1997); the tempest (jack bender, 1998); 10 things i hate about you (gill junger, 1999); o (aka the one.…”
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