Wentworth
Institute of Technology
Photographic storytelling
This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception-s...
Saved in:
| Corporate Authors: | , , |
|---|---|
| Format: | Electronic Video |
| Language: | English |
| Published: |
New York, N.Y. :
Films Media Group,
[2005]
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| Series: | Language of photography.
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| Subjects: | |
| Online Access: |
Streaming video (Wentworth users only) |
MARC
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| 245 | 0 | 0 | |a Photographic storytelling |h [videorecording] / |c San Mateo County Community College District. |
| 264 | 3 | 1 | |a New York, N.Y. : |b Films Media Group, |c [2005] |
| 264 | 4 | |c ©2001 | |
| 300 | |a 1 streaming video file (27 min.) : |b sound, color, digital. | ||
| 336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a The Language of Photography | |
| 500 | |a Films on Demand is distributed by Films Media Group for Films for the Humanities & Sciences, Cambridge Educational, Meridian Education, and Shopware. | ||
| 500 | |a Encoded with permission for digital streaming by Films Media Group on May 12, 2005. | ||
| 505 | 0 | |a Photo Manipulation (4:23) -- The Meaning of a Photograph (4:21) -- Observation and Perception (4:49) -- Digital Manipulation (4:03) -- Photographic Decisions (5:02) | |
| 506 | 1 | |a Access requires authentication through Films on Demand. | |
| 520 | |a This program examines how photographers work with images to communicate stories and ideas and how viewers interpret those images. Message manipulation deriving from point of view, context, editing, superimposing, cropping, recoloring, and captioning are discussed. In addition, selective perception-seeing pictures through the filters of values and prejudices-is studied. Commentary is provided by Doug Nickel, curator of photography at the San Francisco Museum of Modern Art; Joel Slayton, of the CADRE Laboratory for New Media at San Jose State University; Shanto Iyengar, director of the Political Communication Lab at Stanford University; and others. | ||
| 538 | |a Mode of access: Internet. | ||
| 538 | |a System requirements: FOD playback platform. | ||
| 546 | |a Closed-captioned. | ||
| 588 | |a Title from distributor's description. | ||
| 650 | 0 | |a Visual perception. |0 sh 85143926 | |
| 650 | 0 | |a Visual literacy. |0 sh 85143923 | |
| 650 | 0 | |a Photography, Artistic. |0 sh 85101269 | |
| 650 | 0 | |a Art appreciation. |0 sh 85007980 | |
| 655 | 7 | |a Educational films. |2 lcgft |0 gf2011026219 | |
| 655 | 7 | |a Internet videos. |2 lcgft |0 gf2011026337 | |
| 655 | 7 | |a Videorecording. |2 local | |
| 710 | 2 | |a Films for the Humanities & Sciences (Firm) |0 no2003057097 | |
| 710 | 2 | |a Films Media Group. |0 no2005057562 | |
| 710 | 2 | |a San Mateo County Community College District. |0 nr 97040226 | |
| 776 | 0 | 8 | |i Original produced: |d San Mateo County Community College District, 2001 |z 9781608257928 |
| 830 | 0 | |a Language of photography. | |
| 951 | |a 1291409 | ||
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| 952 | f | f | |a Wentworth Institute of Technology |b Main Campus |c Wentworth Library |d Online |t 0 |e Films on Demand |h Other scheme |
| 856 | 4 | 0 | |t 0 |u https://ezproxywit.flo.org/login?url=https://digital.films.com/PortalPlaylists.aspx?aid=20185&xtid=30808 |y Streaming video (Wentworth users only) |