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Neobaroque in the Americas : alternative modernities in literature, visual art, and film /
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, the author examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neob...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Charlottesville :
University of Virginia Press,
2012
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| Series: | New World studies.
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| Subjects: | |
| Online Access: |
Full text (Wentworth users only) |
| Local Note: | ProQuest Ebook Central |
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| 100 | 1 | |a Kaup, Monika. | |
| 245 | 1 | 0 | |a Neobaroque in the Americas : |b alternative modernities in literature, visual art, and film / |c Monika Kaup. |
| 264 | 1 | |a Charlottesville : |b University of Virginia Press, |c 2012 | |
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| 490 | 1 | |a New World Studies | |
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction : Neobaroque alternative modernities -- Neobaroque Eliot : antidissociationism and the allegorical method -- The neobaroque in Djuna Barnes : melancholia and the language of abundance and insufficiency -- The Latin American antidictatorship neobaroque : allegories of history as catastrophe and performances of the wounded self in Diamela Eltit's Lumpérica and Jose Donoso's Casa de Campo -- Antidictatorship neobaroque cinema : Raul Ruiz's Mémoire des apparences and María Luisa Bemberg's Yo, la peor de todas -- Hemispheric genealogies of the new world baroque : early modern new world baroque and diasporic baroques in contemporary U.S. Latino/a art and culture. | |
| 520 | |a In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, the author examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, this book envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity | ||
| 546 | |a English. | ||
| 588 | 0 | |a Print version record. | |
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| 650 | 0 | |a Art, Baroque |x Influence. | |
| 650 | 0 | |a Baroque literature |x Influence. | |
| 651 | 0 | |a United States |x Civilization |y 21st century. | |
| 651 | 0 | |a Latin America |x Civilization |y 21st century. | |
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| 830 | 0 | |a New World studies. | |
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