Pretexts for writing : German Romantic prefaces, literature, and philosophy /

"Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing its...

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Bibliographic Details
Main Author: Williams, Seán M. (Seán Martin), 1985- (Author)
Corporate Author: Bucknell University Press
Format: Electronic eBook
Language:English
Published: Lewisburg : Bucknell University Press, 2019.
Series:New studies in the age of Goethe.
Subjects:
Online Access: Full text (Wentworth users only)
Local Note:ProQuest Ebook Central

MARC

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100 1 |a Williams, Seán M.  |q (Seán Martin),  |d 1985-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjB43GhfFbvPb63DDT8W8P 
245 1 0 |a Pretexts for writing :  |b German Romantic prefaces, literature, and philosophy /  |c Sean M. Williams. 
264 1 |a Lewisburg :  |b Bucknell University Press,  |c 2019. 
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490 1 |a New studies in the age of Goethe 
505 0 |a Introduction: What prefaces are not : pedantic notes -- Chapter 1. Goethe : a playful and resistive set of preface strategies -- Chapter 2. Jean Paul: autoprefacing -- Chapter 3. Hegel : prefatorial polemic becomes philosophy. 
520 |a "Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European-and, above all, German-Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise"--  |c Provided by publisher. 
520 |a "In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--  |c Provided by publisher. 
588 0 |a Electronic version record. 
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600 1 0 |a Goethe, Johann Wolfgang von,  |d 1749-1832  |x Criticism and interpretation. 
600 0 0 |a Jean Paul,  |d 1763-1825  |x Criticism and interpretation. 
600 1 0 |a Hegel, Georg Wilhelm Friedrich,  |d 1770-1831  |x Criticism and interpretation. 
600 1 1 |a Hegel, Georg Wilhelm Friedrich,  |d 1770-1831  |x Criticism and interpretation. 
600 0 1 |a Jean Paul,  |d 1763-1825  |x Criticism and interpretation. 
600 1 1 |a Goethe, Johann Wolfgang von,  |d 1749-1832  |x Criticism and interpretation. 
650 0 |a German literature  |y 18th century  |x History and criticism. 
650 0 |a Prefaces  |x History and criticism. 
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710 2 |a Bucknell University Press. 
776 0 8 |i Print version:  |a Williams, Seán M. (Seán Martin), 1985-  |t Pretexts for writing.  |d Lewisburg : Bucknell University Press, 2019  |w (DLC) 2018030779  |w (OCoLC)1038489198 
830 0 |a New studies in the age of Goethe. 
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