Wentworth
Institute of Technology
Focus
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Milton :
Routledge,
2019.
|
| Series: | Focus on World Music Ser.
|
| Subjects: | |
| Online Access: |
Full text (Wentworth users only) |
| Local Note: | ProQuest Ebook Central |
Table of Contents:
- Cover
- Half Title
- Series Information
- Title Page
- Copyright Page
- Table of contents
- Preface
- Acknowledgements
- Part I Understanding Indian Music
- Chapter 1 India in Musical and Cultural Perspective
- Identity and Indian Music
- Linguistic Identity
- Indian Environments
- Geography
- Sacred Geography
- The Monsoon as Inspiration and Devastation
- Cultural, Musical, and Social History of India
- Indian Diversity and Identity
- Gender and Genre
- Bhangra
- Punjabi Women's Songs
- Hijra Identity, Origins, and Musical Associations
- Religious Practices and Music in India
- Hinduism
- Vedic Chant
- An Oral Heritage
- India's Devotional Soundscape: Bhajan, Kirtan, Qawwali, Sufi Songs
- Mirabai's Bhajan
- The Politics of Mirabai
- Kabir Bhajan
- Islam
- Sufism
- Qawwali
- Notes
- Bibliography
- Chapter 2 Concept and Style in Indian Music
- Introduction to Indian Musical Aesthetics
- Indian Classical and Western Classical
- Indian Musical Concepts of North and South
- An Exploration of Carnatic Raga-s and Form
- An Exploration of Hindustani (North Indian) Raga, Tala, and Form
- Dhrupad
- Khyal
- Thumri
- Thumri Example
- Ghazal
- Indian Music Notation
- Bhatkhande and Paluskar
- The Popularization of Folk Music
- The Manganiyars: New Approaches on a Rajasthani Folk Tradition
- Anatomy of a Manginayar Folk Song
- Bhojpuri Pop Music
- Tamil Nadu
- Notes
- Bibliography
- Part II Popular Music in India
- Chapter 3 East-West Cross-cultures: Inspiration and Collaboration
- Early Jazz Music in India
- Calcutta's "Cabaret Row"
- Indian Women in Jazz
- Jazz in the Cinema
- Indian Music in and from the West
- Indian Music in the Western Consciousness
- East-West Meetings (the 1960s-1970s)
- "Ravi Shankar is the Godfather of World Music"
- George Harrison
- Anand Shankar and the Beginning of British-Asian Fusion
- Subramaniam and Carnatic Fusion
- Nusrat Fateh Ali Khan: The Emperor of Qawwali and Peter Gabriel
- Zakir Hussain: Tabla Maestro and John McLaughlin: Guitar Hero
- The British-Asian Wave: Born in Britain, Remade in India
- The Indian Diaspora Sings
- From Punjab to Birmingham and Back
- The Rise of the Asian Underground in UK and India
- Indi-pop Nation
- Daler Mehndi: Bhangra Indi-pop Superstar
- Alisha Chinai: Global Indi-pop Superstar
- Desi Hip-Hop: Beyond Indi-pop
- Conclusion
- Notes
- Bibliography
- Chapter 4 Indian Film Music: Aesthetics, Hybrids, and Representations
- Introduction to Indian Cinema
- Indian Cinema Represents
- Film Songs as National Music
- Indian Cinema as Musical Cinema
- Playback Singing
- Film Songs and the Moral Universe
- Film Songs and Media Distribution
- The Anatomy of a Film Song
- Standard Film Song Formula
- Romance/Love Songs
- The "Item" Number
- Picturizations
- Representational vs. Presentational Picturizations